Beware the tiny red man

Discussion Topic of the Week: What’s the best non-Ultima game Origin ever made?

A Christmas Tree in the Window

Back in the day, my dad bought a KoalaPad drawing tablet for our Atari 800. Perhaps that very December — in 1984 or 1985, he drew this scene of the front of our house at Christmas time, complete with a view of our Christmas tree through our living room window. So proud was he of his creation that he snapped a photo of it with a Polaroid camera, and that’s the print I am showing to you now.

Discussion Topic of the Week: Did you draw any Christmas art on your computer when you were a kid? Tell us about it.

“There’s More to Life On-Line”

Just a few months ago, the 20th anniversary of the launch of WorldsAway, a pioneering graphical online world, came and went without any major notice (it launched in September 1995). But I remembered the milestone, and I wrote a recent This Old Tech column over on PCWorld.com about my memories of the service, which I stuck with in some form or another until 2001.

WorldsAway was simply magical when it launched. It promised to put you, as a user, into a graphical world that you could share with other online users (the term “Avatar” as an online representation of your physical self came from the creators of this lineage of online worlds). It delivered on that goal with a charming atmosphere — where you could change between whimsical heads with ease — and a vibrant community that I still look back on fondly to this day.

Honestly, I miss being part of that WorldsAway community. My involvement there came at a time when I was fairly lonely and isolated with my hobbies — my high school years — during a time when few “average” people used any online service whatsoever. Don’t get me wrong; I did fairly well at school, and I wasn’t a freak with no friends — but the real-life friends I did have did not share my love for the online world. Online, of course, I could find others like me, and on WorldsAway, we all celebrated that commonality together in a vibrant, playful world.

Did anybody else use WorldsAway in the 1990s? I’d love to hear from you.

P.S. I was an avid reader and subscriber of CompuServe Magazine in the 1990s, which is where I found and drooled over this ad back in the day.

Discussion Topic of the Week: Did you use any graphical online chat worlds in the 1990s? Tell us about it.

It’s that time of year again: the Yuletide. Over the past few years, I’ve been posting an annual collection of all the Christmas-related tech material I’ve written (both for this site and for others) into one place for easy reading. Below, you’ll find list of off-site Christmas slideshows, other features, and of course, plenty of Retro Scans of the Week.

I have a soft spot for Christmas, having been raised with the tradition, so this list is for me as much as it is for everyone else. After going through these things again, it’s amazing to see how much Christmas stuff I’ve posted over the years. I hope you enjoy it.

[ Continue reading The VC&G Christmas Collection (2015 Edition) » ]

Jingle disk, jingle disk, jingle all the way

Throughout the ages, fans of Christmas have found new and varied ways to express their love for the holiday. In the 1980s, personal computer users joined in the fun, using their machines to host a new breed of animated Christmas greetings that were distributed through magazines, BBSes, or even sold on disk like Thoughtware’s JingleDisk, seen here.

Upon inserting JingleDisk into your Commodore 64 or Apple II computer (It’s a double-sided disk with data for the different platforms on each side) and booting it up, the user is presented with a Christmas-themed animation set to various holiday musical standards. It’s fun to watch.

There is something about the warmth of the glow from a cathode ray tube screen that lends itself well to computerized Christmas celebrations — perhaps it echoes some primal link to prehistoric man sitting around the fire telling stories.

By the way, this JingleDisk came to me by way of a family friend who just turned 40 years old today. Happy Birthday, Chris!

Discussion Topic of the Week: Have you ever programmed a Christmas-themed demo or sent a computerized Christmas card? Tell us about it.

A family on the move

This Apple II-clone machine became popular in the mid-late 1980s as a low-cost alternative to the Apple IIc (almost half the price but twice the RAM — scratch that, Apple IIc had 128K too), especially for home use. I have a Laser 128 in nearly pristine condition in the box, and it feels nice to use. It echoes the integrated form factor of the IIc, which makes it convenient to setup in a pinch if you need to pull out an Apple II in an emergency. Or at least that’s how I use it.

Discussion Topic of the Week: Do you have any Thanksgiving computer or gaming traditions? Tell us about them.

This keychain looks like it would hurt in your pocket

Here we see an ad for the Super NES version of Ultima VII: The Black Gate. Apparently, when VII received its port to Nintendo’s console, its Roman numeral designation got the axe. As a result, the title became merely Ultima: The Black Gate.

I’m not a big fan of the SNES ports of the Ultima games (VI and VII). In the process of chopping things down to fit in a reasonably-sized ROM cartridge, a lot of content and features were lost (including the Roman numeral in this case). But at the same time, those ports likely gave console fans a taste of the Ultima universe that they would not have had otherwise.

As for me, I was lucky enough to originally play the Ultima games on the PC (and the Atari ST, in the case of Ultima III), so I guess I am spoiled.

Discussion Topic of the Week: In your opinion, what’s the best console port of any Ultima game?

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See Also:

Ultima VII Immortality Contest (RSOTW, 2007)
Ultima VI (RSOTW, 2009)
Ultima V (RSOTW, 2009)
The Savage Empire (RSOTW, 2010)
Tiny Pocket Ultima (RSOTW, 2013)

10 DAYS OF VINTAGE: Day 10

One week ago, I had a chance to talk to Felicia Day, an American actress who has gained considerable renown for embracing her geeky side.

In 2007, Day created a pioneering web TV show called The Guild that focused on a group of disparate characters in a World of Warcraft-like MMO who are nonetheless bound together by their devotion to the game — and to each other as teammates.

After launching The Guild, Day went on to co-star in Joss Whedon’s Dr. Horrible’s Sing-Along Blog, an award-winning musical miniseries crafted especially for the web. She has also acted in shows such as Buffy the Vampire Slayer, Supernatural, and Eureka.

Just this year, Day released a memoir called You’re Never Weird on the Internet (Almost), that I read from cover-to-cover in a few days and enjoyed immensely. In it, she talked about growing up in the American South, her gaming habits, embracing her geeky nature, and creating The Guild.

With that book in mind, I thought it would be fun to ask her some questions about her early computing and gaming habits. Along the way, we touch on the philosophy of genius and celebrity, and whether it’s safe to do an interview while you’re driving a car.

I hope you enjoy it.

This interview took place on November 4, 2015 over the telephone.

[ Continue reading VC&G Interview: Felicia Day — Actress, Author, and Geek Advocate » ]

(An interpreted narrative told through real AMD stock photos)

10 DAYS OF VINTAGE: Day 9

[ Continue reading The Story of AMD64 » ]

Play it again, Samtronic

I ran across this ad for CasaBlanca’s Intelli-Touch, “the world’s first computerized ceiling fan,” in a 1985 issue of Home magazine that I found in my mom’s house.

My mother has subscribed to house decorating magazines for as long as I can remember, and Home is only one of many (other examples: Better Homes and Gardens, Southern Living). I never thought that I’d feature a scan from one, though.

But this ceiling fan ad was too fun to pass up. It reflects a time when you could slap the term “computerized” on any electronically-controlled consumer product (even if it didn’t actually have a computer inside, which was often the case) and use it as a marketing angle.

The robotic take on Humphrey Bogart’s classic film reminds me of those famous Maxell ads. Perhaps the same people were responsible for both campaigns? I don’t know, but frankly, this would have terrified me if I had seen it as a kid. Luckily, I found it when I was 34, so I’m only slightly afraid.

Discussion Topic of the Week: If you woke up one day and everyone looked like a metallic, boxy robot, what would you do?