Nude boxer plays Nintendo

I have a framed print of this 8×10 photo hanging on my office wall. The first time I put it up and my kids came in, the conversation went something like this:

“Daddy, why is there a photo of a naked man on your wall?”

“That’s Mike Tyson.”

“…”

“A famous boxer from the 1980s.”

“…”
“But why is he naked.”

And so I hit upon a 1980s cultural zeitgeist I never thought I’d have to explain to anyone.

Nintendo’s 1984 arcade classic Punch-Out!! — which used richly detailed graphics for the time and dual monitors — was a masterpiece in creative arcade design. And in the 1980s, watching Mike Tyson fight (which I did a couple times on pay-per-view) was a thrilling experience. He was scary powerful. So when Nintendo combined the two together in 1987 as a game for the hottest console of the day, they cooked up the recipe for something amazing: Mike Tyson’s Punch-Out!!.

Mike Tyson’s Punch-Out!! still holds a place as one of my favorite NES games. It’s dynamic, beautiful, and fun. It’s challenging, but doesn’t feel unfair. Curiously, I must have only played friends’ copies of MT’s Punch-Out!! (or we traded it) because we also bought the non-Tyson version (with Mr. Dream) Nintendo released in 1990.

This photo is a promotional handout Nintendo sent to the press in 1987. I believe I own the only known physical photographic print of this image. (I’m sure there are others out there, but we don’t know where they are). Last year I sent a high-res scan of this image to The Gaming Historian for one of his YouTube features and also to Frank Cifaldi for Video Game History Foundation exhibits. So you may be seeing it more often in the future.

The back of the photo says this:

Mike Tyson, undisputed heavyweight boxing champion, has signed a promotional contract with the world’s leading manufacturer of home video game systems, Nintendo of America. Tyson will offer his name and likeness to “Mike Tyson’s Punch-Out!!”, a game which allows players to participate in a series of challenging matches, leading up to a battle against the champ himself. The Game Pak, designed exclusively for play on the Nintendo Entertainment System, will be available in October.

Discussion Topic: What’s your favorite classic boxing video game?

Since August 1st of this year, I’ve been building and selling custom joysticks through Twitter. This small venture has been an unexpected success.

People love them, and that makes me very happy. I’ve sold about 140 so far, and I’ve built and shipped about 100 all around the world.

The past few months have been a wild ride, and I’d like to tell you some about it.

The Highest Quality Parts

The basic concept behind every joystick I’ve made so far is simple: bring the best quality arcade parts to home consoles and computers.

I’ve been using Japanese arcade joysticks and buttons from Sanwa Denshi, a firm that makes some of the best arcade assemblies in the world.

The results have been incredible. Games I thought previously unplayable are suddenly rendered fun, like lifting some kind of fog.

Mushy, worn out control pads have come between me and gaming for too long, and I had no idea. When you push a button or move the lever on one of my sticks, something happens. Every time. There is no blaming the controller for gaming failures.

That extra level of accuracy brings new life to older games. Especially on platforms that didn’t have great controllers to begin with. Figuring this out has made me want to share these joysticks with everybody. But let’s take a step back and see how this all got started.

[ Continue reading I’ve Been Building Joysticks » ]

A controller bigger than your head

The reports of Retro Scan’s death are greatly exaggerated.

I just emerged from the other side of a huge house move that taxed my body and soul. Moving my huge collection was very difficult, and now dealing with where to put it all keeps that stress going. I feel behind on lots of things, but it’s time to catch up. One of the best ways to do that is with a new Retro Scan. So here we go — let’s talk trackballs.

As far as I know, the first arcade video games to use a trackball were Midway’s Shuffleboard and Atari Football, both from 1978. As to which came first, I have no idea at the moment.

Atari really ran with the trackball (they called it a “Trak-Ball”) and produced several mega arcade hits that used the interface, including Missile Command and Centipede. It only makes sense that they would bring the tech home to their Atari 8-bit computer line — and the Atari 5200, as seen here — in the form of the Pro-Line Trak-Ball controller.

(An aside: Despite the ad saying the Trak-Ball controller works for the Atari 2600, I know of no vintage 2600 games that support trackball mode natively. There is a joystick mode switch on the bottom of the controller, however, that lets you use it with any game.)

Of course, the 5200 version of the Trak-Ball controller is legendarily huge. It’s almost as big as the (already big) console itself. But I’ve heard good things about it, despite never having used one. I do have the smaller CX22 Trak-Ball controller and I enjoy games of Missile Command on my Atari 800XL with it from time to time, although it is criminally under-supported (in Trak-Ball mode) by games on that platform.

So how about you guys: Have you ever used the Atari 5200 Trak-Ball? What did you think about it?

Discussion Topic: Have you ever used a trackball with any game console? Tell us about it.

In Memoriam: Samuel Frederick Dabney, Jr. (1937-2018),
co-founder of Syzygy and Atari

Samuel Frederick (“Ted”) Dabney, Jr., who co-founded Atari with Nolan Bushnell in 1972, died of esophageal cancer just three days ago. He was 81 years old.

I was not close with Ted, but I did interview him at length for articles about Computer Space and Pong back in 2011 and 2012. During our conversations, he was candid, detailed, kind, and very helpful. During my conversations with him, a lot of the details of early Atari history you can now read online were coming out of him for the first time, so he was a vital source of fresh information on that subject.

Ted did critical work as a partner of Nolan Bushnell in the early 1970s. He served as a creative sounding board for Nolan’s ambitious ideas and also as a key implementer of some of them.

Ted met Nolan around 1969 while working at Ampex, where they were office mates. They shared big dreams and secret sessions of the board game go while in the office, and in off-hours, they hung out and scouted locations for a new restaurant idea Bushnell had that involved talking barrels.

With Nolan at Syzygy Engineering, Dabney created the video control circuitry used in Computer Space, built the prototype cabinet for that game, designed its sound circuit, and more. On Pong, Dabney built the prototype cabinet and gave feedback to game designer Allan Alcorn. He also provided ideas for Atari’s third game, Space Race, before he left Atari in 1973.

There is some confusion about the reason Dabney left Atari. Dabney told me that Nolan forced him out. Bushnell commonly cites poor work performance as the reason Dabney left. Absent some documentary evidence, the real answer will always be one of those fuzzy historical points left to interpretation. What we do know for sure is that the two founders were no longer getting along.

(By the way, I have recently read some reports about Dabney that say he left Atari because he was angry that Nolan patented his motion control circuitry without including him on the patent. This is plainly false. Dabney did not even know that Nolan’s motion control patent existed until I informed him about it in a 2011 interview.)

A lot of the key info I gleaned from Dabney can be found in my 2011 piece on Computer Space, which is a primary source for some of the secondhand knowledge you’ll read about Dabney and Atari’s early days on the web. Some day I need to publish my full interview with Dabney on Pong, because it is very insightful.

It’s also worth noting that Dabney remained friends with Nolan throughout the 1970s despite the Atari business acrimony. They were never truly close like they were circa 1969-1972, but they still kept in touch, shared a hot tub or two, and Dabney created a trivia game for Nolan’s Pizza Time chain in the early 1980s.

I will miss talking to Ted. He was laid-back, easy going, and straightforward. He had so much skill and experience from his days before Atari, and I need to write about that some time. I had hoped to interview him again at some point, but life delayed those plans. May he rest in peace.

Seems like I wanted a computer

My father passed away in 2013, and since then, I have been slowly going through his possessions, including his papers, to take stock of what’s there and put things in order.

Last year, in the back of a tall metal file cabinet, I found a manila folder labelled “Christmas Lists.” Amazingly, it contained many of my handwritten childhood Christmas lists, addressed to both Santa and my parents. It was very touching to find. I had no idea my father had saved them.

Among these papers, I found this gem from 1992 (I pinpointed the date easily because I remember which year I wanted to get a Prodigy client set). I was 11 years old. That was also the first year I started my BBS.

Unlike my richly illustrated Christmas list from 1989, this one is all text. Among items like ‘G.I. Joe guy,’ a giant Hulk figure, and a snare drum, we find gems such as ‘Nintendo Game Genie,’ the aforementioned ‘Prodogy’ (sic), and “#1 gift! A COMPUTER!!!”

(I’m pretty sure the $15 was a joke.)

At the time, I was using a dreadfully slow monochrome IBM PS/2 Model 25 (with an 8086 CPU) to run my new BBS (that my dad had bought new around 1987), so I’m pretty sure that was the main reason I wanted a computer.

I didn’t get a new computer that Christmas. I think my dad bought me my first non-hand-me-down PC around 1994. But I did get a Prodigy connection kit, and you can read more about that in this classic post. And of course, best of all, I was surrounded by my loving, supportive family in a stable home. It was a great Christmas.

I was a lucky kid, and I am very grateful that my family encouraged me to explore what I loved. I plan to do that for my kids as well.

I hope all of you out there have a very Merry Christmas.

Discussion Topic: Have you ever received a computer for Christmas? Tell us about the first one.

Ever heard of Joyce Weisbecker? If not, you’ll probably hear her name a lot in the future — at least in video game history.

FastCompany just published an article I wrote about Weisbecker, who was probably the world’s first female professional video game developer, predating the work of Carol Shaw by several years.

In 1976, Weisbecker created two games for the RCA Studio II console (released Jan 1977), which was based on her father’s home computer architecture. Her story is fascinating, and I had a lot of fun bringing it to light. I hope you enjoy it.

By the way, if you enjoy seeing this kind of work from me, please consider supporting me on Patreon. At this point, Patreon support is absolutely essential to what I do.

There are many more stories like this out there, including some I know about already, but they will never be developed without financial support.

The world’s first video game tournament took place at Stanford on October 19, 1972, 45 years ago this week. The Living Computer Museum in Seattle is hosting an event on Thursday to commemorate this anniversary, and in conjunction, they commissioned me to write this article about the history of Spacewar and its influences.

—

It has been fifty-five years now since the first release of Spacewar!, a seminal computer game that began as a low-key tech demo among a group of friends but soon grew to rock Western culture like a tidal wave. When a group of Harvard employees and MIT students named Steve Russell, Wayne Wiitanen, Alan Kotok, Martin Graetz, Dan Edwards, and Peter Samson created the game, they had little idea that it would evolve into one of the most important cultural developments of the 20th century.

In its most basic version, Spacewar pits two player-controlled rocket ships against each other in a game of orbital single combat. Each player uses a set of switches to guide their ship through a physics-based two-dimensional simulation of deep space. Momentum and inertia play their part just as they would with a real spaceship, and a large star in the middle of the screen acts as a huge gravity well that draws the ships into oblivion if they do not carefully thrust their way around its pull.

As the first interactive virtual world — in the sense that it simulated physical space — Spacewar set conceptual precedents that are still reverberating in our society. The game also marked a new dawn for human storytelling, allowing interactive expressions of archetypal stories as old as civilization itself. Along the way, it also launched a massive industry.

All this starting in 1961 — the year men first went into space.

[ Continue reading Spacewar: Profile of a Cultural Earthquake » ]

Fear has an address: 677 Bluebonnet Ln., Wichita, Kansas 67218

20 years ago today (Oct 2, 1997), Konami released Castlevania: Symphony of the Night in the US. My life has been demonstrably better ever since.

After reading a review of it in EGM, I knew I had to get the game. So I did, and it was awesome. This is probably still my favorite video game — or at least in the top three. This is the game that inspired our beloved Metroidvania term and genre, and it’s still one of my favorite game genres to this day.

Discussion Topic: What’s your favorite Castlevania game?

Side 1: Grunge fonts galore

1994 was a very good year for the Super NES. It’s around the time when US Super NES sales began to exceed those of the Genesis again, and of course, the release year of some of the games listed on this large fold-out poster. Chief among them, of course, is Super Metroid, which I consider to be one of the greatest video games of all time.

Some people like Donkey Kong Country as well.

This poster came packed with first-party Super NES games sold around 1994 — and I quite possibly got it from inside the Super Metroid box itself. (I wish I hadn’t separated all those documents out long ago, but I did it mainly to focus on scanning them for this very column.)

I’ve talked about Nintendo’s Play it Loud campaign before (especially here and here, and here), so I won’t go into it again. But it was a very effective campaign that found back against Sega’s assault on Nintendo’s kiddie image.

The back side of this fold-out poster contained the obligatory Nintendo Power magazine ad, coupled with a non-obligatory Star Fox graphic. Neat.

Side 2: While you’re at it, subscribe to Nintendo Power

Discussion Topic: What’s the most underrated Super NES game?

This is really bizarre.

News hit a couple days ago that “iam8bit,” a boutique retailer of video game nostalgia products, is releasing a limited edition Street Fighter II cartridge for the Super NES.

It is part of a Street Fighter 30th Anniversary package for US $100 (plus $24 shipping, inexplicably) that includes trinket bonuses designed to lure cash out of a video game collector’s wallet.

The cartridge looks and supposedly plays like a real Super NES cartridge on a real Super NES console. There’s only one catch: iam8bit says it might catch on fire while you play it.

I am not making this up. Here’s a quote of the actual product page:

WARNING: Use of this reproduction game cartridge (the “Product”) on the SNES gaming hardware may cause the SNES console to overheat or catch fire. The SNES hardware is deemed a vintage collectible, so please exercise extreme caution when using the Product and make sure there is fire extinguishment equipment nearby. Use of the Product is at the sole risk of the user. The Product is sold “as is”. Neither iam8bit, Inc. nor Capcom Co, Ltd. make any representation or warranty, express or implied, of any kind, including any warranty of merchantability of fitness for a particular use, or that the Product is safe to use, and iam8bit, Inc. or Capcom Co, Ltd. shall have no liability for damage to property or persons arising from use of the Product. Nintendo of America is in no way associated with the release of this Product.

[ Continue reading New Limited Edition Street Fighter II Cartridge Could Literally Burst Into Flames — or Just Ruin your SNES » ]