Good News!

You may recall that I interviewed Carol Shaw for VC&G back in 2011. Shaw is best known for developing River Raid and for being Atari’s first female video game designer.

(At that time, I called Shaw “the world’s first female video game developer.” Since then, I have made a new discovery, so stay tuned.)

Through connections made between myself, Shaw, and my good friends at The National Museum of Play at The Strong in Rochester, NY, Shaw recently donated a cache of amazing historical materials, including printed source code for River Raid and an EPROM of her first game, Polo.

When I first learned that Shaw still had large format printouts of the River Raid source code (back in 2011), I panicked, trying to figure out the best way to preserve it. I was thinking I might even have to fly over and photograph it myself — just to make sure it would not be lost.

But luckily, ICHEG at The Strong is a wonderful institution, and I have been doing my best to direct prototypes and other artifacts their way over the past few years. I am happy to do my own small part in preserving the history of video games, and it is wonderful that an important pioneer such as Shaw is getting the recognition she deserves.

Ten years ago today — on July 18, 2007 — Gamasutra published my in-depth history of the creation of Sid Meier’s Civilization called The History of Civilization. (Here’s my original VC&G post on the topic.)

My article was originally intended to be part of a series of articles — conceived by Simon Carless, if I recall correctly — that would cover the histories of the then-recently announced “Game Cannon.” (I wanted to do a piece on Tetris next, but I could not figure out how to get an interview with Alexey Pajitnov.)

Treating video games as legitimate cultural artifacts worthy of preservation and study was a very novel idea at the time. My work, and that of others, over this past decade has made this idea far more mainstream, although there’s still a lot of work to do.

My Civilization article still gets a lot of attention. Gamasutra re-promotes it every once and a while, and it has been cited in books, other articles, and more. So imagine my embarrassment as I tell you, right now, that I had absolutely no idea what I was doing back when I wrote it. I was never formally trained as a journalist; I learned my craft and absorbed lessons as I went along.

The lesson I learned from the Civilization piece was to never make assumptions. The History of Civilization was only the second big history narrative piece I’d written in my career, and I remember being nervous about making a few assumptions about things that I did not firmly know to fill in gaps in the narrative.

I did not have the time or budget to interview more one person fully the article (Sid Meier, though I asked Bruce Shelley questions via email), so I wondered: How on earth do I fill in those knowledge gaps? I just went with what made the most sense, and I was lucky that it did not lead to any problems. Today, many journalists still do this, and it’s a terrible practice.

Since that time, I typically go way way way over budget with interviews and research so that I never, ever have to make any assumptions in the storytelling process. As we speak, I’m about three months late on a big feature because of this obsession of mine. It’s not an economical way to do business as a freelancer, but at least my editors know I can deliver an accurate product.

Does that make The History of Civilization a bad article? No. It’s still a good piece overall, although I would do things differently if I wrote it today.

…But there is this nagging issue, always in the back of my conscience, of a very long email that Bruce Shelley sent me about it just after it was published.

And that, my friends, will be the first of several updates related to this article that I collected have for you today, in three acts:

I. Bruce Shelley’s Notes on the Article
II. Sid Meier and Bruce Shelley in the Flesh
III. History of Civilization Translated into Chinese

[ Continue reading ‘The History of Civilization’ Updates, 10 Years Later » ]

By now, all of you have probably heard about Nintendo’s upcoming Super NES Classic Edition, which the firm announced on June 26. It’s a tiny HDMI-capable Super NES that plays 21 built-in games and will retail for $79.99 US. And it’s due for release on September 29, 2017.

It is also, quite possibly, intended to be a huge publicity stunt.

You guys may remember the absolute fiasco that was the NES Classic Edition — Nintendo’s miniature HDMI NES with built-in games. The NES Classic edition was announced on July 16, 2016 and launched on November 11th of that year for $59.99.

Of course, when November 11th, came around, shoppers snapped up the limited supply Nintendo produced within seconds on Amazon.com and at other retailers, leaving many thousands of NES fans frustrated and unable to ever buy the tiny wonder console for a reasonable price.

Yes, that included me. Scalpers on eBay turned around and immediately sold the NES Classic Edition for 200% the retail price, and today they go for around $200-$300 unopened on eBay. (I did eventually buy one on eBay for around $250.)

I’m tempted to ask: Will the Super NES Classic Edition suffer the same fate? But this isn’t the right question. The question should be: Is the launch and availability of this new product going to make a mockery of Nintendo’s cultural legacy?

[ Continue reading Nintendo is Playing Risky Games With Its Cultural Legacy » ]

Milton-Bradley MBX Flyer: Side 2

The Milton-Bradley MBX, launched around 1983 for the TI-99/4A home computer, is a strange product: it combines a pistol-grip joystick with a rotating knob and analog control, a 64-position touch pad with overlays, and voice-recognition headset into one package that is supposed to enhance gameplay on specially-designed TI-99/4A games.

This neat TI-99/4A site has a history page about it, so I think I’ll just snatch a portion that explains the MBX’s origins:

Now that you have an idea as to what the MBX System is, below is a little history provided by Mike Langieri (the creator of the device). According to Mike, the MBX actually started out as a stand-alone game console in 1982 and was to be Milton Bradley’s answer to the Atari 2600 and Intellivision. MB’s plan was to provide the game player with voice recognition, speech synthesis, and an action-input keypad which in turn would give them an advantage over the systems already on the market.

Now how come MB did not go ahead with their own system in 1982? Once the Colecovision came out, Jim Shea (then president of Milton Bradley) thought that the market was not big enough to support 4 game systems from Atari, Mattel, Coleco, and Milton Bradley and therefore killed the project. However, so much development went into creating MB’s own video game unit that Mike was then assigned to finding a use for all the technology they developed.

Eventually it was decided to transform Milton Bradley’s gaming system to an add-on for the TI-99/4A, most likely due to the fact that MB had earlier developed the Gamevision line of video games for the 99/4A and also created the graphics chip used inside of the TI system. Thus, “the MBX was the phoenix that rose from the ashes” as Mike wonderfully put it.

It’s amazing to think “What if” and wonder what a Milton-Bradley game console might have been like. I believe that Milton Bradley also originally tried to sell this idea to Atari, but they declined, and it ended up as a TI-99/4A peripheral. A non-rotating, non-analog variation on this joystick did end up as Atari’s Space Age joystick, though.

Milton-Bradley MBX Flyer: Side 1

I have a complete MBX system in the box (which may be where I got this flyer), but for some reason I have never used it. I think that’s because I don’t have any of the games that support it — or I didn’t 17 years ago when I first bought my MBX on eBay. Right now I don’t even know what box my MBX is stored in, so it would be hard to rectify that.

Discussion Topic: When was the first time you ever used voice commands with a computer?

Last month, veteran Commodore VIC-20 developer Ghislain de Blois emailed me about his latest project, a turn-based RPG called Realms of Quest V.

He asked me to spread the word, and since I recently upgraded the WordPress installation for this site, it’s actually easy for me to do so.

I have not tried it yet, but man — considering the limitations of the fairly anemic VIC-20, it looks pretty amazing. Here’s what Ghislain had to say about it:

It’s an RPG game that will span 4 disk sides.

Features:
-over 250 portrait graphics
-16 races and 16 classes
-music
-big world map four times greater than that featured in Realms III
-20 cities to explore with townspeople to talk to
-10 player characters allowed in party with an additional 10 spaces for non-player characters thus allowing a party size of 20 characters. This is an 8 bit RPG record.
-customizations: choose from 4 fonts and 2 graphical viewing modes.

I will hopefully be done in a few months. I’ve been working on this game every day since the beginning of February.

[ Continue reading An Epic-Looking Commodore VIC-20 RPG, Realms of Quest V, is Under Development » ]

Rolling Stone recently launched a dedicated gaming site called Glixel, and just recently, EGM alum and Glixel’s General Manager, John Davison (of whom I am a big fan), asked me to write something for the site.

So I did. Atari turns 45 this month, and I thought it would be fun to look back at some of Atari’s early coin-op titles that very few people have heard of. The result is called “Atari’s Forgotten Arcade Classics,” and you can read it now over at Glixel.

If I weren’t so busy with other projects, I’d dive more in-depth into the origins of Atari — I certainly have a lot to say about it. But that will have to wait until another time. Until then, I hope you enjoy this piece.

I mentioned this in my most recent Retro Scan, but I figured this was worth repeating in its own post.

Chuck E. Cheese’s Pizza Time Theatre launched 40 years ago last month — on May 16, 1977. To celebrate the anniversary, I wrote a long feature about the origins of the pizza chain for FastCompany that they published last week.

In the piece, you can learn about how Chuck E. Cheese was originally supposed to be a coyote, read about rat-related intrigue, and glean some of the visionary genius of Nolan Bushnell, who saw the chain as a way to bring arcade video games to the mainstream — as well as scratching a fundamental itch of human nature. It worked.

Hope you enjoy it.

Five early 1980s Pizza Time Tokens from Benj’s Collection

Chuck E. Cheese’s Pizza Time Theatre launched 40 years ago last month — on May 16, 1977. To celebrate the anniversary, I wrote a long feature about the origins of the pizza chain for FastCompany that they published last week.

While researching the article, I recalled my childhood token collection (pseudo numismatic, as they say) that likely had a few vintage Chuck E. Cheese specimens. After checking, sure enough, I found five authentic Pizza Time game tokens dated from the years 1980, 1982, and 1983.

[ Continue reading [ Retro Scan ] Chuck E. Cheese Tokens and Tickets » ]

Since February, I’ve been appearing on episodes of Retronauts, a long-running retro gaming podcast traditionally hosted by Jeremy Parish and Bob Mackey. Retronauts traces its origins to the now defunct 1UP.com, but it has moved along with Jeremy wherever he goes.

And that includes a move across the country: About five years ago, Jeremy relocated to sunny Raleigh, NC from San Francisco. After resigning from his editor-in-chief position at USGamer.net late last year, Jeremy decided to rely on Patreon to fund Retronauts as a full-time project.

There’s only one problem: Bob Mackey is still located on the west coast, and Jeremy can’t afford to fly out there every time he wants to record a show. So while Bob still creates episodes on the west coast, Jeremy started up a “Retronauts East” wing of the show featuring a local crew of regulars.

Fortunately, I am a Raleigh native, and I still live here. So the Retronauts East roster includes both myself and Ben Elgin, a Hillsborough, NC software engineer and a veteran of Jeremy’s Gamespite forums.

Since then I’ve been on five episodes (with another micro episode on the way), and it’s been a blast. Jeremy is a gin aficionado, and we typically drink a gin and tonic before or during the show, which is why you may hear high-resolution ice clinking in the background.

Here’s a run-down of the episodes I’ve appeared on so far:

Episode 87: Apple II Games
Episode 91: Early Sega Arcade Games
Episode 95: Early Batman Games
Micro 59: Atari Swordquest
Episode 98: Mac Gaming in the 1980s

There’s more to come. So stay tuned and enjoy.

Note: this article was originally published on 1UP.com on May 15, 2007 under the title “Videogames Turn Forty.” (Original URL: http://www.1up.com/do/feature?pager.offset=0&cId=3159462).

Since 1UP is no longer with us, I decided to republish the article here for historical reference. I have learned quite a bit about video game history in the decade since this was originally published, and naturally some of my conclusions have changed. But this is still a great overview of the work done by Baer, Harrison, and Rusch in the 1960s. I plan to republish my other 1UP articles on VC&G as well in the near future. — Benj

The nineteen-inch screen flashed in waves of blue and black as two normally reserved professionals threw themselves into a competition destined for the history books. Mashing furiously at hand wired buttons, each battled to be the first winner of a unique contest never before played by man: the contest of the video game.

In 1967, a bold engineer with a vision led a small team to create the world’s first electronic games to use an ordinary television set as a medium. Wary of naysayers from within, the video mavericks sequestered themselves behind closed doors, and for good reason: they worked under the payroll of Sanders Associates, a giant Cold War defense contractor.

As hippies on the streets of San Francisco stuck flowers in the barrels of guns, three men in snowy New Hampshire crafted the future of electronic entertainment deep in the heart of a commercial war machine. In May of 1967, the world’s first video games — as we know them today — made their quiet, humble entrance into the world.

[ Continue reading [ VC&G Anthology ] Video Games Turn Forty (2007) » ]