I need to start a historical coupon collection

Apparently I ripped this Tiger Game.com $10 rebate coupon off the back of some unknown cereal box around 1997 or 1998. I found it recently in the papers cleaned out from my childhood desk.

The Tiger Game.com seemed like a neat machine when I first read about it — with its touch screen and potential for “Internet access” — but it ended up being a major let-down.

I did eventually get a Game.Com — I could have sworn I got it on clearance at K-Mart or Toys’R’Us (but I didn’t mention that in this earlier post)…or maybe it was a birthday present from my dad in 1998. Despite buying many Game.com games over the next few years on clearance, I pretty much only played the built-in Solitaire game on it. But that was fun enough.

I remember thinking something along the lines of “For the price I paid for it, it’s a pretty good solitaire machine.” So maybe I did get my first Game.com on clearance. It’s sad that my memory is fading like this. I can typically remember how and when I got everything in my collection. I will have to look through my papers later and see if I have a receipt for it. That could shed some light on things.

See my previous Retro Scan posts about the Game.com (listed below) for more of my stories about this odd console. It’s the only video game console I ever used to call a BBS. Now that’s odd.

Discussion Topic of the Week: Did you buy a Tiger Game.Com in the 1990s? What did you think about it?

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See Also:
Tiger Game.com (RSOTW, 2010)
Game.com Internet Module (RSOTW, 2012)

A family on the move

This Apple II-clone machine became popular in the mid-late 1980s as a low-cost alternative to the Apple IIc (almost half the price but twice the RAM — scratch that, Apple IIc had 128K too), especially for home use. I have a Laser 128 in nearly pristine condition in the box, and it feels nice to use. It echoes the integrated form factor of the IIc, which makes it convenient to setup in a pinch if you need to pull out an Apple II in an emergency. Or at least that’s how I use it.

Discussion Topic of the Week: Do you have any Thanksgiving computer or gaming traditions? Tell us about them.

This keychain looks like it would hurt in your pocket

Here we see an ad for the Super NES version of Ultima VII: The Black Gate. Apparently, when VII received its port to Nintendo’s console, its Roman numeral designation got the axe. As a result, the title became merely Ultima: The Black Gate.

I’m not a big fan of the SNES ports of the Ultima games (VI and VII). In the process of chopping things down to fit in a reasonably-sized ROM cartridge, a lot of content and features were lost (including the Roman numeral in this case). But at the same time, those ports likely gave console fans a taste of the Ultima universe that they would not have had otherwise.

As for me, I was lucky enough to originally play the Ultima games on the PC (and the Atari ST, in the case of Ultima III), so I guess I am spoiled.

Discussion Topic of the Week: In your opinion, what’s the best console port of any Ultima game?

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See Also:

Ultima VII Immortality Contest (RSOTW, 2007)
Ultima VI (RSOTW, 2009)
Ultima V (RSOTW, 2009)
The Savage Empire (RSOTW, 2010)
Tiny Pocket Ultima (RSOTW, 2013)

10 DAYS OF VINTAGE: Day 10

One week ago, I had a chance to talk to Felicia Day, an American actress who has gained considerable renown for embracing her geeky side.

In 2007, Day created a pioneering web TV show called The Guild that focused on a group of disparate characters in a World of Warcraft-like MMO who are nonetheless bound together by their devotion to the game — and to each other as teammates.

After launching The Guild, Day went on to co-star in Joss Whedon’s Dr. Horrible’s Sing-Along Blog, an award-winning musical miniseries crafted especially for the web. She has also acted in shows such as Buffy the Vampire Slayer, Supernatural, and Eureka.

Just this year, Day released a memoir called You’re Never Weird on the Internet (Almost), that I read from cover-to-cover in a few days and enjoyed immensely. In it, she talked about growing up in the American South, her gaming habits, embracing her geeky nature, and creating The Guild.

With that book in mind, I thought it would be fun to ask her some questions about her early computing and gaming habits. Along the way, we touch on the philosophy of genius and celebrity, and whether it’s safe to do an interview while you’re driving a car.

I hope you enjoy it.

This interview took place on November 4, 2015 over the telephone.

[ Continue reading VC&G Interview: Felicia Day — Actress, Author, and Geek Advocate » ]

(An interpreted narrative told through real AMD stock photos)

10 DAYS OF VINTAGE: Day 9

[ Continue reading The Story of AMD64 » ]

10 DAYS OF VINTAGE: Day 8

[ This interview I conducted was originally published on Edge.com in June 2012 to roughly coincide with Electronic Arts’ 30th Anniversary. Since then, the interview has disappeared from the web. A few people have asked me to make it available again, and since I retained the rights to the interview, I am free to publish it on VC&G for everyone to enjoy. ]

Electronic Arts is 30 years old, and there is no denying that the behemoth game publisher casts a long shadow of influence over the entire industry. The company, founded in May 1982, pioneered a business model that treated game designers like rock stars and software publishers like record labels. It pushed the use of big names and big licenses in sports (think Madden, NFL) and soon grew to gobble up many renowned development studios to become a massive entertainment conglomerate.

These days, that conglomerate catches lots of flack from gamers on various issues including employee treatment, content milking, premature server termination, and more. Whether or not those criticisms have any merit, there is no denying that Electronic Arts was once revered as a top corporate impresario for identifying and cultivating the world’s best game design talent (although one would have to admit that time was very long ago).

The man behind the early, creatively-rich image of EA is Trip Hawkins, an Apple veteran who founded the company with a simple dream: to bring his sports simulations to life. Hawkins, now 58, left EA in 1991 to start The 3DO Company, which folded in 2003. He then launched mobile game developer Digital Chocolate that same year. Just recently, Hawkins announced he was stepping down as CEO of Digital Chocolate to face an as-yet unrevealed future.

In late May of this year [2012 — Ed.], on the occasion of EA’s 30th anniversary, I spoke with Hawkins over the telephone and via email about the creation of Electronic Arts, the design of its early games, and at some length about the negative criticism the company tends to attract today. Along the way, we touched on the personal source of his creative spirit and about heady days as a close friend of Apple co-founder Steve Jobs.

[ Continue reading VC&G Anthology Interview: Trip Hawkins on 30 Years of Electronic Arts (2012) » ]

Play it again, Samtronic

I ran across this ad for CasaBlanca’s Intelli-Touch, “the world’s first computerized ceiling fan,” in a 1985 issue of Home magazine that I found in my mom’s house.

My mother has subscribed to house decorating magazines for as long as I can remember, and Home is only one of many (other examples: Better Homes and Gardens, Southern Living). I never thought that I’d feature a scan from one, though.

But this ceiling fan ad was too fun to pass up. It reflects a time when you could slap the term “computerized” on any electronically-controlled consumer product (even if it didn’t actually have a computer inside, which was often the case) and use it as a marketing angle.

The robotic take on Humphrey Bogart’s classic film reminds me of those famous Maxell ads. Perhaps the same people were responsible for both campaigns? I don’t know, but frankly, this would have terrified me if I had seen it as a kid. Luckily, I found it when I was 34, so I’m only slightly afraid.

Discussion Topic of the Week: If you woke up one day and everyone looked like a metallic, boxy robot, what would you do?

10 DAYS OF VINTAGE: Day 7

When I write articles about the history of technology — which, I’ll admit, is fairly often — a few readers will sometimes say, “The author is obviously too young to remember X or Y,” or “He forgot to include X.” Sure, I don’t know everything. But most of the time, if there is ever an omission of something notable in one of my articles, a) I know about it, and b) it was done for a good reason.

(That reason, by the way, is usually brevity — editors almost always trim things out to make the article shorter. The second most common reason is that the omitted info, while generally understood to be true, is actually false.)

When the occasion warrants it, and if time allows, I do the most exhaustive research I can manage on a topic. While browsing through my old writing files recently, I came across a fairly vivid illustration of this: a very detailed timeline of CD technology that I created while writing an feature about the 30th anniversary of the CD Player for TechHive back in 2012.

During that process, I set out to understand the history of the CD Player and the Compact Disc medium as much as possible so I could explain it with confidence. One of the best ways to do that — to cover 30+ years of history and get it all straight — is to make a timeline. So that’s what I did.

The published article on TechHive includes key selections from this timeline at the bottom, but not everything. With the hope that my more detailed CD timeline might some day help future researchers, I am publishing it below, complete with sources when available.

This kind of thing makes me wonder how many other man-hours of journalistic research lay just out of reach because there is no proper context in which to share it. In this case, I’m lucky to have the VC&G Anthology series.

[ Continue reading [ VC&G Anthology ] A Detailed Timeline of Compact Disc Technology (2012) » ]

In October 2008, I created a slideshow to celebrate the 25th anniversary of Microsoft Word for PCWorld.com. It included slides on the history of the software and some oddities as well — remember Clippy?

While researching the slideshow, I contacted Charles Simonyi and Richard Brodie — two early Microsoft employees who worked together to create the first versions of Microsoft Word. While working at Xerox PARC in the 1970s, Simonyi and a colleague named Butler Lampson created Bravo, the world’s first WYSIWYG word processor. After that, Microsoft hired Simonyi largely based on that experience.

Conducting original interviews for a web slideshow was very unusual in 2008 — heck, it’s unusual today. But sometimes you need to go to the source to get some facts straight, and that’s what I was doing, as you’ll see below.

To create this short composite interview, I took two separate email interviews and combined them into one document for easy readability. While it is edited to appear like a conversation, neither man was aware of the other’s answers.

10 DAYS OF VINTAGE: Day 6

[ Continue reading VC&G Anthology Interview: Charles Simonyi and Richard Brodie, creators of Microsoft Word (2008) » ]

10 DAYS OF VINTAGE: Day 5

The famous IBM PC 5150 turned 30 in 2011, and I spent quite some time preparing for that important anniversary. During my brainstorming process, I thought it would be fun to celebrate the 30th anniversary of another famous cultural icon — the “smiley” ASCII character, which originated with that seminal IBM machine.

To me, the the smiley character (seen above in its original and inverse forms) is best known as the protagonist of pseudo-graphical text-based games like ZZT.

To find out the origins of this whimsical denizen of Code Page 437, I sent an email to Dr. David J. Bradley, one of the creators of the IBM PC, whom I had corresponded with before. In fact, Dr. Bradley is best known as the inventor of “CTRL-ALT-DELETE” keyboard combination that once reset almost every IBM PC-compatible computer.

I never did get around to writing that Smiley celebration as I planned, but I just ran across my conversation with Dr. Bradley recently, and I still find it interesting. With Dr. Bradley’s permission, I am reproducing a transcript of our email conversation below, which I hope will aid future IBM Smiley researchers in their quest for information.

[ Continue reading [ VC&G Anthology ] Origins of the ASCII Smiley Character: An Email Exchange With Dr. David Bradley (2011) » ]