Just in time for Sochi. Sorry for the page fold.

Discussion Topic of the Week: What’s your favorite winter sport(s) video game? This is mine.

Virtual Boy: The #1 video game console on Mars.

When the Virtual Boy first launched in 1995, I rented the console (yep, the whole console) and a few games from my local Blockbuster store. Prior to that time, I don’t remember Blockbuster offering any other systems for rent; I think it was a joint effort with Nintendo to get the novel machine into people’s hands to try it out. (Later, I also rented a Nintendo 64 and a PlayStation from Blockbuster. But I digress.)

In fact, here are some early digital photos of that Virtual Boy rental, courtesy of my Snappy Video Snapshot. The first, dated 8/29/95, shows one of my cats sleeping in the plastic hard case the Virtual Boy arrived in when rented from Blockbuster. The second shows the Virtual Boy sitting alone on a stool in my room, and the third (dated 8/30/1995) shows my friend playing the Virtual Boy.

The Virtual Boy was an interesting experience — not exactly mind-blowing, but neat. Its display was all red, all the time, but with stereoscopic 3D. I remember that it seemed expensive (MSRP of $179.99, which is $275.26 today when adjusted for inflation), and I remember thinking that if it only cost less, it could be successful.

But as we now know, the Virtual Boy failed to take off. Nintendo killed it the same year it launched in Japan, and the company pulled the plug in the US the following year. At that time I bought a Virtual Boy new in the box on clearance at Toys’R’Us for $30. I still have it; in fact it’s sitting next to me as I write this. Wario Land ranks among my favorite games for the system, and I always wished that this odd 3D console had lived long enough to receive a proper Super Mario Bros. title.

Why did the Virtual Boy fail? I wrote about some of the reasons in this 2009 article on Game Console Design Mistakes for Technologizer. I also briefly analyzed the Virtual Boy for my History of Stereoscopic 3D Gaming slideshow for PC World in 2011.

In some ways, it’s a shame that the system died so early, but in absolute business terms, its early demise made perfect sense. The Virtual Boy was an odd machine without broad appeal — one of Nintendo’s rare flops — but it makes for a heck of a video game collector’s item today as a result.

Discussion Topic of the Week: Have you ever played the Virtual Boy? What’s your favorite game for the system?

—

See Also: Virtual Boy Vortex (RSOTW, 2012)
See Also: The History of Stereoscopic 3D Gaming (PC World, 2011)

“Shhh! Don’t tell dad, but I got him a box of blank paper for Christmas.”

Discussion Topic of the Week: When was the last time you printed something, and what was it?

One of the best reasons to own a Jaguar circa 1994

Twenty years ago this week, id Software launched one of the most important and influential PC games of all time: Doom. It started as a modest shareware download but grew to change the entire video game industry. To explain how, here’s 2009 Benj writing about the title for a PC World slideshow:

Id’s archetypical first-person shooter triggered a sea change in the PC game industry, which had formerly been dominated by slow, plodding strategy turn fests, brainy simulations, and stilted PC action titles of yore.

In contrast, Doom was the first of a new generation of fast-paced, smooth action titles that utilized new visual techniques to push PC hardware to its limits. With Doom, PC gamers could experience fluid gameplay, graphics, and sound that easily topped what was found on home game consoles of the day — an uncommon achievement at that point.

Moreover, it introduced exciting new network multiplayer options that are widely imitated to this day, coining the term “deathmatch” in the process.

From its lowly roots as a MS-DOS shareware title, Doom spread like a weed to other platforms, including game consoles, which now count first-person shooters as one of their best-selling genres.

“Doom defined the 3D shooter genre and made multiplayer gaming mainstream,” says Tim Sweeney (founder of Epic Games and creator of the Unreal Engine), “And it did them with such incredible polish, artistry, and foresight that it created an industry.”

Considering that Doom launched in 1993 via shareware channels, I’m not aware of when or in what publication the first advertisement for Doom appeared. (I believe GT Interactive became distributor for the full, boxed PC version of Doom much later, but I could be mistaken.)

So instead, I found this nifty November 1994 scan for the Atari Jaguar version of Doom. I received this version of the game for Christmas in 1994, and it was an amazing gift.

Pushing the PC Limits, Jaguar Relief

Most people don’t remember how much horsepower Doom required in a PC at the time — at least 4 MB of RAM, a mid-range 486 CPU, and a sound card to run passably well. So I had trouble running the game on any PC up to that point.

In 1993, we had one 486 in the household with exactly 4 MB of RAM (to contrast, my personal PC sported a 16 MHz 386 and 2MB RAM), and I had to make a special 5.25″ boot disk that loaded fewer resident DOS drivers, etc. so I could run Doom on that 486 at all. If I recall correctly, I didn’t have enough spare RAM to load the SoundBlaster drivers at boot, so the experience was limited. My friend had to run Doom on his mom’s 486 the same way. Even then, the game didn’t run at full frame rate. Doom pushed the limits.

So coming from that environment, it was an amazing convenience to just plug a Doom cartridge into the Jaguar and play, full-speed, full-screen, with glorious sound and no hiccups. My brother and I played a lot of Doom on that console well into 1996 — until I got a more powerful PC that could run Doom with ease.

Until the PlayStation port of Doom came out (late 1995), the Jaguar port was widely considered the best port of the game (in terms of screen window size, lighting effects, monster interaction, sound, controls, and frame rate) available on consoles. Its biggest drawback was lack of a soundtrack during gameplay. I think that’s because John Carmack used the Jag’s DSP co-processor to handle graphics routines instead of music, which was unconventional on that platform.

But I digress. What a great game. I still play Doom regularly via modern source ports on the PC — most recently on my new 1080p big screen TV set. Add on Xbox 360 controller support via ZDoom, and you’ve got Doom heaven. It’s a game that never seems to get old for me, even 20 years on. That’s the mark of a true classic in my book.

Discussion Topic of the Week: How did you feel when you first played Doom? What are your memories of the occasion?

Microdeal’s Leatherneck and Tanglewood for the Atari ST

I’ve never played either of these Atari ST games by Microdeal, but they look like fun. “Look” being the operative word. That’s because, as we all know, a screenshot alone is a poor judge of a game.

In fact, I recall being burned by screenshots many times back in the day. While browsing at Babbage’s or Software Etc. (former software retail chains), my brother and I would flip over various game boxes and ogle amazing, colorful in-game shots that would make us want to buy everything on the shelf.

If we did buy a game, we’d rush home and load it up. Nine times out of ten, those glorious box screenshots turned out to be the only pretty graphical scenes (often static) in the game. Or — even worse — the screenshots were from the uber-colorful Amiga / VGA / etc. version when in fact we were buying the Apple II version of the game (or we only had an EGA graphics card). Doh.

Discussion Topic of the Week: Did you ever buy a game based on graphics alone — then come to regret it later?

“From Sharp Minds Come Sharp Products”

It’s no secret that Radio Shack licensed Sharp’s pocket computer designs for its own TRS-80 Pocket Computer line of products. But here’s one of the originals, circa 1983: the PC-1500A.

Discussion Topic of the Week: Have you ever lost a pocket-sized gadget and regretted it badly? Tell us about it.

—
See Also: BASIC in your Pocket (RSOTW, 2009)
See Also: Asimov’s Pocket Computer (RSOTW, 2011)

“Get hooked in.”

Since its debut in late 1994, the Sega Channel remains one of the most fascinating footnotes of video game history. Essentially, the system had two components: a hardware cartridge that a customer plugged into his or her Sega Genesis, and a premium subscription cable TV service (usually $14.95 a month) that provided a selection of games the customer could download.

Games, when downloaded, were saved temporarily to DRAM in the cartridge (which lost its contents when the system was powered off), and the customer could download up to 50 games a month. The service also provided news about video game releases in the form of text displayed on the screen. The information transfer was one-way, however, so Sega Channel could not provide truly interactive online content.

When news of the Sega Channel first hit, I called my local cable company as the ad suggests. Unfortunately, we never received Sega Channel service in our area, so I didn’t get to try it out myself.

Discussion Topic of the Week: Did you ever subscribe to Sega Channel? Tell us about your experiences.

Rose vs. Poppy: Which would you choose?

I’ll admit that I’ve never encountered a Durango Poppy in person, nor do I know much about them aside from ads like this in old magazines.

So I did some digging, and I found that the Poppy model seen here was an 80186-based system that ran either MS-DOS for a single-user setup or Xenix for a multi-user configuration. It retailed for between $4,395 and $11,475 in early 1984 ($9,881 to $25,798 when adjusted for inflation), which was quite a bit of money — but actually far cheaper than IBM’s comparable offerings at the time.

A March 5, 1984 issue of InfoWorld available through Google Books has a neat article that mentions the Poppy.

I didn’t realize it at first, but the rose in the ad above is meant to symbolize IBM. IBM’s PC ads at the time featured Charlie Chaplin’s Tramp character, which always carried a rose.

Discussion Topic of the Week: Did you ever purposely pass up IBM hardware for a cheaper alternative? Tell us about it.

Digging up video games in a mall ashtray

I was a huge fan of Mega Man X when it first came out on the Super NES in 1993.

…Well, I rented it, anyway, and I played it more than any other side-scrolling Mega Man game before or since. I loved finding the secret Hadoken fireball power up, which I read about in Nintendo Power.

Much to my present-day surprise (even though I owned this magazine when it was new), Capcom produced a version of Mega Man X for the PC, and on a CD-ROM no less. Has anyone out there played it? I’m wondering if the adaptation was any good.

[ P.S. Shortly after writing this entry, I tracked down a warez copy of Mega Man X for the PC, and it’s surprisingly well done. However, its utilization of MIDI music provides for a pretty surreal Mega Man experience — surreal in the sense that the tunes generally sound horrible compared to MM games that are famous for their music. ]

Discussion Topic of the Week: What’s your favorite Mega Man game of all time?

Walkin’ [through the pearly gates / into an alien ship] with an Osborne 1.

See also: The Osborne 1 (RSOTW, 2012)

Discussion Topic of the Week: If you could take any computer with you into the afterlife, which would it be?