In August 2022, I joined up with Ars Technica as their AI and Machine Learning Reporter. Of course, even while documenting one of the wildest cutting-edge stories in tech at the moment, my heart never strays far from the subject of this site: vintage technology and the history behind it.

In between writing about AI at Ars over the past 8+ months, I’ve had the chance to occasionally write a piece about tech history or nostalgia (23 in total so far). To capture them all in one place, I’ve created a tag called “retrotech” for all of those articles at Ars. To check them out, click this link.

Here’s a fun one I did not too long ago: Egad! 7 key British PCs of the 1980s Americans might have missed.

So if you’re interested, keep an eye on the “retrotech” tag and follow along there. In a way, it’s kind of an extension of what I did on Vintage Computing and Gaming back in the day, albeit this time I make a full-time living and get health benefits. That’s quite an upgrade!

As I usually mention in posts on here for the past few years, I’m sorry that I’ve let VC&G wither with neglect. I’m not shutting it down since there is so much historically valuable content here (especially interviews and comments), and our Patreon supporters keep these archives online. Thanks for your continued support over the past 18 years!

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P.S. Did you see this piece that lists out all of the tech history work I did at How-To Geek between 2020 and 2022? Pretty cool.

Ever heard of Joyce Weisbecker? If not, you’ll probably hear her name a lot in the future — at least in video game history.

FastCompany just published an article I wrote about Weisbecker, who was probably the world’s first female professional video game developer, predating the work of Carol Shaw by several years.

In 1976, Weisbecker created two games for the RCA Studio II console (released Jan 1977), which was based on her father’s home computer architecture. Her story is fascinating, and I had a lot of fun bringing it to light. I hope you enjoy it.

By the way, if you enjoy seeing this kind of work from me, please consider supporting me on Patreon. At this point, Patreon support is absolutely essential to what I do.

There are many more stories like this out there, including some I know about already, but they will never be developed without financial support.

The world’s first video game tournament took place at Stanford on October 19, 1972, 45 years ago this week. The Living Computer Museum in Seattle is hosting an event on Thursday to commemorate this anniversary, and in conjunction, they commissioned me to write this article about the history of Spacewar and its influences.

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It has been fifty-five years now since the first release of Spacewar!, a seminal computer game that began as a low-key tech demo among a group of friends but soon grew to rock Western culture like a tidal wave. When a group of Harvard employees and MIT students named Steve Russell, Wayne Wiitanen, Alan Kotok, Martin Graetz, Dan Edwards, and Peter Samson created the game, they had little idea that it would evolve into one of the most important cultural developments of the 20th century.

In its most basic version, Spacewar pits two player-controlled rocket ships against each other in a game of orbital single combat. Each player uses a set of switches to guide their ship through a physics-based two-dimensional simulation of deep space. Momentum and inertia play their part just as they would with a real spaceship, and a large star in the middle of the screen acts as a huge gravity well that draws the ships into oblivion if they do not carefully thrust their way around its pull.

As the first interactive virtual world — in the sense that it simulated physical space — Spacewar set conceptual precedents that are still reverberating in our society. The game also marked a new dawn for human storytelling, allowing interactive expressions of archetypal stories as old as civilization itself. Along the way, it also launched a massive industry.

All this starting in 1961 — the year men first went into space.

[ Continue reading Spacewar: Profile of a Cultural Earthquake » ]

Note: this article was originally published on 1UP.com on May 15, 2007 under the title “Videogames Turn Forty.” (Original URL: http://www.1up.com/do/feature?pager.offset=0&cId=3159462).

Since 1UP is no longer with us, I decided to republish the article here for historical reference. I have learned quite a bit about video game history in the decade since this was originally published, and naturally some of my conclusions have changed. But this is still a great overview of the work done by Baer, Harrison, and Rusch in the 1960s. I plan to republish my other 1UP articles on VC&G as well in the near future. — Benj

The nineteen-inch screen flashed in waves of blue and black as two normally reserved professionals threw themselves into a competition destined for the history books. Mashing furiously at hand wired buttons, each battled to be the first winner of a unique contest never before played by man: the contest of the video game.

In 1967, a bold engineer with a vision led a small team to create the world’s first electronic games to use an ordinary television set as a medium. Wary of naysayers from within, the video mavericks sequestered themselves behind closed doors, and for good reason: they worked under the payroll of Sanders Associates, a giant Cold War defense contractor.

As hippies on the streets of San Francisco stuck flowers in the barrels of guns, three men in snowy New Hampshire crafted the future of electronic entertainment deep in the heart of a commercial war machine. In May of 1967, the world’s first video games — as we know them today — made their quiet, humble entrance into the world.

[ Continue reading [ VC&G Anthology ] Video Games Turn Forty (2007) » ]

In 1978, APF Electronics introduced the MP1000, an early cartridge-based video game system. It wasn’t a smash hit like offerings from Atari, but it carried within its faux woodgrain housing a hidden kernel of cultural brilliance: The console would not have existed without the work of an African-American electronics engineer named Edward Lee Smith (b. Nov 4 1954).

I first learned about Ed Smith while researching Jerry Lawson, one of the first known African-Americans in the video game industry. Not long after Lawson did his pioneering design work on the Fairchild Channel F in Silicon Valley, Smith began a similar task on the opposite side of the country, crafting his own contributions to the industry while at APF in New York City.

As part of a small engineering team, Smith helped design the MP1000 and its plug-in computer expansion module, the Imagination Machine. That work got him noticed by Black Enterprise magazine, and in 1982, Smith and Lawson were both interviewed for a feature written by S. Lee Hilliard about the roles African-Americans had played in the video game revolution, which was a hot business topic at the time.

[ Continue reading VC&G Anthology Interview: Ed Smith, Black Video Game and Computer Pioneer » ]

Back in 2011, I wrote an article about the creation of Nutting Associates’ Computer Space on the occasion of its 40th anniversary. If you’ll recall, Computer Space was the world’s first mass-produced and commercially sold video game. It started the video arcade game industry.

While researching the piece, I conducted extensive telephone interviews with Ted Dabney and Nolan Bushnell, the co-creators of the game (who went on to become the co-founders of Atari). During my conversation with Bushnell, we touched upon some other topics too — when you have a guy like Bushnell on the phone, you tend to ask whatever you need when you have the chance.

While looking through the transcript of that 2011 interview again recently, I came across a section near the end where Nolan and I talked about what it really means to be a video game. During our conversation, Nolan hit on something that I think is rather profound, yet completely obvious in hindsight. I thought other folks might find our conversation, and its resulting conclusion, interesting.

I’ve kept this transcript nearly verbatim because I feel it reflects the spontaneous, free-flowing nature of the conversation. We were talking as he was driving home from a business appointment, so he was slightly distracted at the time.

[ Continue reading VC&G Anthology Interview: What Makes a Video Game? A Short Conversation with Nolan Bushnell (2011) » ]

CD-ROM ON YOUR MOTHER LOVIN’ TV!!

Back in 2009, I made a list of the worst video game systems of all time for PC World, and the Tandy Memorex Video Information System (1992) was #2 on the list.

Six years later, I am not fond of dishing out bad vibes toward any game console. But the VIS was indeed an underwhelming commercial product.

And honestly, calling the VIS a video game console is a stretch. As more of a multimedia appliance than a straight up “video game system,” its lineage lay half-way between game machine and general purpose PC. Its designers intended it to run educational software as frequently as games.

For fans of odd an interesting systems, the VIS definitely stands out. Under the hood, it sported a modified PC architecture based on an Intel 286 CPU and a custom embedded version of Windows called “Modular Windows.” In addition, the VIS allowed storing data on removable memory cards that plugged into the front of the console (a feature that, in game consoles, arrived second only to the Neo Geo, I believe).

Of course, ever since I saw this section of a 1995 Tiger Software catalog (Tiger had apparently bought up a clearance stock of the machines — see also this scan of the Jaguar CD in a Tiger catalog), I wanted a VIS regardless of its faults. While I have used them before — including some in-store demos at Radio Shack — I still do not have one in my collection.

Discussion Topic of the Week: Did you own any CD-based game consoles from the multimedia console era? (i.e. CD-i, VIS, 3DO, CDTV, Jaguar CD)

In Memoriam: Ralph Baer (1922-2014),
co-inventor of TV video games and the home video game console

Our dear Ralph. What a man. 92 years old. A life full of technology, audacity, and gumption (with equal measures wise prudence). He died on December 6, 2014 at his home in Manchester, New Hampshire. May he rest in peace.

Just summarizing Baer’s biography with keywords sounds impressive: Germany, Kristallnacht, WWII Service, small arms expert, Lee De Forest, TV technician, Sanders, engineering, Apollo, inventor of TV video games, game console, Odyssey, cable TV, patents, Simon, toy inventor. The list could go on and on. He achieved quite a bit and lived a very full, very fulfilling long life.

Of course, he is most well known for inventing the concept of television video games and co-inventing, with William Rusch and William Harrison, the world’s first video game console during his time at Sanders in the mid-late 1960s. The prototype console that the trio finished in 1968 later became the Magnavox Odyssey (1972), the world’s first commercial video game console.

But there was much more to the man, and I count myself fortunate to have known him.

[ Continue reading Remembering Ralph Baer (1922-2014) » ]